空間造型理念——深入系統闡述“立體構成”的基本知識點和技能點，將理論與實際應用完美結合

新視野新突破——大量運用實際圖片講解立體構成各要素間的原理、規律、法則、技巧

案例帶動教學——每章后設置精品案例點評和訓練題課，以點帶面，便于讀者提高運用立體構成的綜合能力

配套素材光盤——為方便讀者學習，本書免費贈送光盤，包括每章所用的素材圖片

立體構成作為設計領域的一個重要方面，已經越來越廣泛地應用于人們的日常生活、學習和工作等各個領域，已經成為藝術設計領域必不可少的組成部分。

全書以實用技能培養為出發點，以圖片實例講解為先導，形象直觀地闡述立體構成的設計思路和表現方法，采用文字和圖片相結合的教學模式，闡述立體構成的運用理論，并融入了許多實際經驗，具有較強的針對性與指導性。

熟練掌握立體構成技能，可以從事工業設計、園林設計、景觀設計、建筑空間設計、室內設計、服裝設計、家居日用品設計、陶藝設計、首飾設計等多方面的職業。

本書內容豐富、結構清晰、實戰性強，是讀者進行學習的最佳藍本。既介紹了立體構成的基礎知識，又著重介紹了立體構成在創作過程中的思維方法和表現手段，通過精選的6章內容為讀者進行立體構成設計奠定了堅實的基礎。

本書由教學一線骨干教師合作編寫，由趙宇赤統稿并任第一主編，唐保平任第二主編，王樹彬、孫大偉任副主編。第1章、第5章、第6章由趙宇赤、王樹彬編寫，第2章、第3章、第4章由唐保平、孫大偉編寫。

由于時間倉促，加之編者水平有限，書中疏漏和錯誤之處在所難免，懇請廣大讀者批評指正。

編者

2011年2月

第1章 立體構成概述 ························1
1.1 空間立體構成的研究意義 ·····························2
1.1.1 立體構成的起源與發展 ······················9
1.1.2 立體構成的概念及特征 ····················12
1.1.3 立體構成與空間設計的關系 ············14
1.1.4 作品賞析 ············································18
1.2 立體構成設計的思維方法 ···························21
1.2.1 確立設計的思維模式 ························22
1.2.2 確立空間的思維模式 ························22
1.2.3 在立體造型過程中提高審美修養 ····24
1.2.4 在設計實踐中提高創新能力 ············25
1.2.5 作品賞析 ············································26
1.3 思考與練習 ···················································30
第2章 立體形態設計 ······················31
2.1 造型與形態 ···················································32
2.1.1 立體形態的構成特點 ························34
2.1.2 立體形態的物理空間與心理空間 ····34
2.1.3 作品賞析 ············································36
2.2 立體構成形態的知覺感受表現 ···················37
2.2.1 形態的量感 ········································37
2.2.2 形態的生長感 ····································38
2.2.3 形態的速度感 ····································39
2.2.4 形態的和諧感 ····································40
2.2.5 形態張力的塑造 ································40
2.2.6 形態立體空間錯覺 ····························41
2.2.7 作品賞析 ············································42
2.3 立體構成的美學原則 ···································43
2.3.1 對稱與均衡 ········································43
2.3.2 節奏與韻律 ········································45
2.3.3 對比與微差 ········································46
2.3.4 比例與尺度 ········································48
2.4 思考與練習 ··············································50
第3章 立體形態的美感創造 ···········51
3.1 立體形態的解析與重組 ·······························52
3.1.1 線材立體構成 ····································52
3.1.2 面材立體構成 ····································54
3.1.3 單元形體的拆解與組合構成 ············55
3.1.4 作品賞析 ············································58
3.2 減法創造 ·············································59
3.2.1 分裂 ··············································59
3.2.2 破壞 ··············································60
3.2.3 退層 ··············································61
3.2.4 切割 ··············································61
3.2.5 作品賞析 ············································63
3.3 加法創造 ·············································64
3.3.1 堆砌組合 ············································64
3.3.2 接觸組合 ············································64
前言
目錄
MULU
目 錄
3.3.3 貫穿組合 ············································64
3.3.4 嵌入組合 ············································65
3.3.5 充填與包裹嵌入組合 ························66
3.4 思考與練習 ············································68
第4章 立體形態構成的分析 ···········69
4.1 立體構成的材料分析 ···································70
4.1.1 硬質材料 ············································70
4.1.2 軟質材料 ············································72
4.1.3 動態材料 ············································74
4.1.4 作品賞析 ············································75
4.2 立體形態的結構分析 ···································76
4.2.1 插接構造 ············································76
4.2.2 折屈聯系 ············································77
4.2.3 框架組合結構 ····································78
4.2.4 作品賞析 ············································79
4.3 立體形態構成的功能分析 ···························80
4.3.1 立體形態構成對審美能力的培養 ····80
4.3.2 立體形態構成對動手實踐能力的
培養 ····················································81
4.3.3 作品賞析 ············································82
4.4 立體形態構成的色彩情感分析 ···················83
4.4.1 主體形態與附加形態間的色彩
關系 ····················································84
4.4.2 色彩的輕重感加強形態間的穩
定性 ····················································85
4.4.3 材料的色彩和質感的效果 ················86
4.4.4 形態的設色與環境相互影響 ············87
4.4.5 立體形態與光 ····································89
4.4.6 作品賞析 ············································90
4.5 立體形態的肌理效果分析 ··························91
4.5.1 肌理的作用 ········································91
4.5.2 肌理與光感 ········································93
4.6 思考與練習 ·········································94
第5章 立體形態構成的加工制作
工藝 ···································95
5.1 立體構成材料及加工制作 ···························96
5.1.1 紙立體形態的加工制作方法 ············96
5.1.2 軟陶形態的加工制作方法 ················99
5.1.3 繩編立體形態的制作方法 ··············101
5.1.4 木雕立體形態的加工制作方法 ······104
5.1.5 金屬立體形態的加工制作方法 ······107
5.1.6 作品賞析 ··········································110
5.2 立體形態的模具翻制工藝 ·························111
5.2.1 石膏翻制工藝 ··································111
5.2.2 玻璃鋼翻制工藝 ······························113
5.2.3 作品賞析 ··········································115
5.3 思考與練習 ··········································116
第6章 立體構成與現代設計 ·········117
6.1 立體構成在景觀設計中的應用 ·················118
6.2 立體構成在室內設計中的應用 ·················128
6.3 立體構成在產品設計中的應用 ·················133
6.4 立體構成在服飾品設計中的應用 ·············139
6.5 思考與練習 ···········································145
參考文獻 ········································146

1. 信息技術基礎立體化教程 [鄒承俊 周洪林 劉和文 葉煜 ]
2. 計算機信息技術素養立體化教程 [主 編 陳鄭軍 敖開云]
3. 信息技術基礎立體化教程 [鄒承俊 周洪林 雷文全 劉和文]
4. 計算機應用基礎立體化教程（Windows 7+Office 2010） [鄒承俊 周洪林 雷文全 劉和文]
5. 立體構成 [楊娟]
6. X3D三維立體網頁設計 [張金釗 張金銳 張金鏑]