空間造型理念——深入系統(tǒng)闡述“立體構(gòu)成”的基本知識(shí)點(diǎn)和技能點(diǎn)，將理論與實(shí)際應(yīng)用完美結(jié)合

新視野新突破——大量運(yùn)用實(shí)際圖片講解立體構(gòu)成各要素間的原理、規(guī)律、法則、技巧

案例帶動(dòng)教學(xué)——每章后設(shè)置精品案例點(diǎn)評(píng)和訓(xùn)練題課，以點(diǎn)帶面，便于讀者提高運(yùn)用立體構(gòu)成的綜合能力

配套素材光盤(pán)——為方便讀者學(xué)習(xí)，本書(shū)免費(fèi)贈(zèng)送光盤(pán)，包括每章所用的素材圖片

立體構(gòu)成作為設(shè)計(jì)領(lǐng)域的一個(gè)重要方面，已經(jīng)越來(lái)越廣泛地應(yīng)用于人們的日常生活、學(xué)習(xí)和工作等各個(gè)領(lǐng)域，已經(jīng)成為藝術(shù)設(shè)計(jì)領(lǐng)域必不可少的組成部分。

全書(shū)以實(shí)用技能培養(yǎng)為出發(fā)點(diǎn)，以圖片實(shí)例講解為先導(dǎo)，形象直觀地闡述立體構(gòu)成的設(shè)計(jì)思路和表現(xiàn)方法，采用文字和圖片相結(jié)合的教學(xué)模式，闡述立體構(gòu)成的運(yùn)用理論，并融入了許多實(shí)際經(jīng)驗(yàn)，具有較強(qiáng)的針對(duì)性與指導(dǎo)性。

熟練掌握立體構(gòu)成技能，可以從事工業(yè)設(shè)計(jì)、園林設(shè)計(jì)、景觀設(shè)計(jì)、建筑空間設(shè)計(jì)、室內(nèi)設(shè)計(jì)、服裝設(shè)計(jì)、家居日用品設(shè)計(jì)、陶藝設(shè)計(jì)、首飾設(shè)計(jì)等多方面的職業(yè)。

本書(shū)內(nèi)容豐富、結(jié)構(gòu)清晰、實(shí)戰(zhàn)性強(qiáng)，是讀者進(jìn)行學(xué)習(xí)的最佳藍(lán)本。既介紹了立體構(gòu)成的基礎(chǔ)知識(shí)，又著重介紹了立體構(gòu)成在創(chuàng)作過(guò)程中的思維方法和表現(xiàn)手段，通過(guò)精選的6章內(nèi)容為讀者進(jìn)行立體構(gòu)成設(shè)計(jì)奠定了堅(jiān)實(shí)的基礎(chǔ)。

本書(shū)由教學(xué)一線骨干教師合作編寫(xiě)，由趙宇赤統(tǒng)稿并任第一主編，唐保平任第二主編，王樹(shù)彬、孫大偉任副主編。第1章、第5章、第6章由趙宇赤、王樹(shù)彬編寫(xiě)，第2章、第3章、第4章由唐保平、孫大偉編寫(xiě)。

由于時(shí)間倉(cāng)促，加之編者水平有限，書(shū)中疏漏和錯(cuò)誤之處在所難免，懇請(qǐng)廣大讀者批評(píng)指正。

編者

2011年2月

第1章 立體構(gòu)成概述 ························1
1.1 空間立體構(gòu)成的研究意義 ·····························2
1.1.1 立體構(gòu)成的起源與發(fā)展 ······················9
1.1.2 立體構(gòu)成的概念及特征 ····················12
1.1.3 立體構(gòu)成與空間設(shè)計(jì)的關(guān)系 ············14
1.1.4 作品賞析 ············································18
1.2 立體構(gòu)成設(shè)計(jì)的思維方法 ···························21
1.2.1 確立設(shè)計(jì)的思維模式 ························22
1.2.2 確立空間的思維模式 ························22
1.2.3 在立體造型過(guò)程中提高審美修養(yǎng) ····24
1.2.4 在設(shè)計(jì)實(shí)踐中提高創(chuàng)新能力 ············25
1.2.5 作品賞析 ············································26
1.3 思考與練習(xí) ···················································30
第2章 立體形態(tài)設(shè)計(jì) ······················31
2.1 造型與形態(tài) ···················································32
2.1.1 立體形態(tài)的構(gòu)成特點(diǎn) ························34
2.1.2 立體形態(tài)的物理空間與心理空間 ····34
2.1.3 作品賞析 ············································36
2.2 立體構(gòu)成形態(tài)的知覺(jué)感受表現(xiàn) ···················37
2.2.1 形態(tài)的量感 ········································37
2.2.2 形態(tài)的生長(zhǎng)感 ····································38
2.2.3 形態(tài)的速度感 ····································39
2.2.4 形態(tài)的和諧感 ····································40
2.2.5 形態(tài)張力的塑造 ································40
2.2.6 形態(tài)立體空間錯(cuò)覺(jué) ····························41
2.2.7 作品賞析 ············································42
2.3 立體構(gòu)成的美學(xué)原則 ···································43
2.3.1 對(duì)稱(chēng)與均衡 ········································43
2.3.2 節(jié)奏與韻律 ········································45
2.3.3 對(duì)比與微差 ········································46
2.3.4 比例與尺度 ········································48
2.4 思考與練習(xí) ··············································50
第3章 立體形態(tài)的美感創(chuàng)造 ···········51
3.1 立體形態(tài)的解析與重組 ·······························52
3.1.1 線材立體構(gòu)成 ····································52
3.1.2 面材立體構(gòu)成 ····································54
3.1.3 單元形體的拆解與組合構(gòu)成 ············55
3.1.4 作品賞析 ············································58
3.2 減法創(chuàng)造 ·············································59
3.2.1 分裂 ··············································59
3.2.2 破壞 ··············································60
3.2.3 退層 ··············································61
3.2.4 切割 ··············································61
3.2.5 作品賞析 ············································63
3.3 加法創(chuàng)造 ·············································64
3.3.1 堆砌組合 ············································64
3.3.2 接觸組合 ············································64
前言
目錄
MULU
目 錄
3.3.3 貫穿組合 ············································64
3.3.4 嵌入組合 ············································65
3.3.5 充填與包裹嵌入組合 ························66
3.4 思考與練習(xí) ············································68
第4章 立體形態(tài)構(gòu)成的分析 ···········69
4.1 立體構(gòu)成的材料分析 ···································70
4.1.1 硬質(zhì)材料 ············································70
4.1.2 軟質(zhì)材料 ············································72
4.1.3 動(dòng)態(tài)材料 ············································74
4.1.4 作品賞析 ············································75
4.2 立體形態(tài)的結(jié)構(gòu)分析 ···································76
4.2.1 插接構(gòu)造 ············································76
4.2.2 折屈聯(lián)系 ············································77
4.2.3 框架組合結(jié)構(gòu) ····································78
4.2.4 作品賞析 ············································79
4.3 立體形態(tài)構(gòu)成的功能分析 ···························80
4.3.1 立體形態(tài)構(gòu)成對(duì)審美能力的培養(yǎng) ····80
4.3.2 立體形態(tài)構(gòu)成對(duì)動(dòng)手實(shí)踐能力的
培養(yǎng) ····················································81
4.3.3 作品賞析 ············································82
4.4 立體形態(tài)構(gòu)成的色彩情感分析 ···················83
4.4.1 主體形態(tài)與附加形態(tài)間的色彩
關(guān)系 ····················································84
4.4.2 色彩的輕重感加強(qiáng)形態(tài)間的穩(wěn)
定性 ····················································85
4.4.3 材料的色彩和質(zhì)感的效果 ················86
4.4.4 形態(tài)的設(shè)色與環(huán)境相互影響 ············87
4.4.5 立體形態(tài)與光 ····································89
4.4.6 作品賞析 ············································90
4.5 立體形態(tài)的肌理效果分析 ··························91
4.5.1 肌理的作用 ········································91
4.5.2 肌理與光感 ········································93
4.6 思考與練習(xí) ·········································94
第5章 立體形態(tài)構(gòu)成的加工制作
工藝 ···································95
5.1 立體構(gòu)成材料及加工制作 ···························96
5.1.1 紙立體形態(tài)的加工制作方法 ············96
5.1.2 軟陶形態(tài)的加工制作方法 ················99
5.1.3 繩編立體形態(tài)的制作方法 ··············101
5.1.4 木雕立體形態(tài)的加工制作方法 ······104
5.1.5 金屬立體形態(tài)的加工制作方法 ······107
5.1.6 作品賞析 ··········································110
5.2 立體形態(tài)的模具翻制工藝 ·························111
5.2.1 石膏翻制工藝 ··································111
5.2.2 玻璃鋼翻制工藝 ······························113
5.2.3 作品賞析 ··········································115
5.3 思考與練習(xí) ··········································116
第6章 立體構(gòu)成與現(xiàn)代設(shè)計(jì) ·········117
6.1 立體構(gòu)成在景觀設(shè)計(jì)中的應(yīng)用 ·················118
6.2 立體構(gòu)成在室內(nèi)設(shè)計(jì)中的應(yīng)用 ·················128
6.3 立體構(gòu)成在產(chǎn)品設(shè)計(jì)中的應(yīng)用 ·················133
6.4 立體構(gòu)成在服飾品設(shè)計(jì)中的應(yīng)用 ·············139
6.5 思考與練習(xí) ···········································145
參考文獻(xiàn) ········································146

1. 信息技術(shù)基礎(chǔ)立體化教程 [鄒承俊 周洪林 劉和文 葉煜 ]
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